Tony Albert
I am Visible
National Gallery of Australia
1 Mar – 11 Mar 19
Selected Works
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Tony Albert discusses I am Visible, 2019

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I Am Visible 2019

single channel 4K video
5 minutes 51 seconds
edition of 3 plus 2 artist's proofs

Tony Albert, I Am Visible, 2019
Architectural projection, National Gallery of Australia

Tony Albert, I am Visible, 2019
Architectural projection, National Gallery of Australia

Tony Albert, I am Visible, 2019
Architectural projection, National Gallery of Australia

Tony Albert, I am Visible, 2019
Architectural projection, National Gallery of Australia

Exhibition Text

A target takes away any invisibility—it highlights presence. My practice is about optimism in the face of adversity and it’s about engaging in a conversation about making this country a better place.
Tony Albert, 2019

A creative collaboration between the National Gallery of Australia (NGA) and leading Australian contemporary artist Tony Albert, lit up the iconic brutalist facade for Canberra’s 2019 Enlighten Festival. Albert’s animated illumination, I AM VISIBLE, draws attention to the issues Indigenous people face and their representation in a national conversation.

The NGA’s facade included projections of proud young Aboriginal men, each emblazoned with red targets on their chests, along with statements of love and respect for family and community. The projection references Albert’s Brothers series, which includes two works of art in the NGA’s collection, Brothers (New York Dreaming) (2015) and Brothers (Unalienable) (2015). The commission connects issues of racial profiling and miscarriages of justice. By making visible the strengths and vulnerabilities of young men in our community, Albert seeks to destabilise stereotypes and offer new images for now and our collective future.

‘The National Gallery of Australia has long recognised the importance of Albert’s contribution to Australia’s cultural debate,’ Nick Mitzevich, NGA Director said. ‘This commission provides the artist with a new visual platform – a 50 metre illumination on the facade of the NGA building. Tony has relished this challenge and created an exceptional and original work of art. He is using art to bridge divides in our diverse community.’

Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.

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