Tim Silver

The multidisciplinary practice of Sydney-based artist Tim Silver is inextricably hinged on time, both conceptually and materially. Working across sculpture, photography and installation, Silver explores the interface between time and decay, particularly in relation to the human body. His sculptures are often made from entropic materials, such as fairy floss and putty, which begin to decompose from the moment of their assembly. By photographically capturing these stages of decay, the artist presents us with a microcosmic image of our own inevitable trajectory towards death. There is a paradoxical beauty that emerges from within the warped and crumbled forms, precipitating a poignant awareness of the preciousness and fragility of human life.

Silver’s works are held in many important collections, including Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Australia Council for the Arts; Mint Museum, North Carolina, United States; Museum of Contemporary Art, Sydney; Ten Cubed Collection, Melbourne and University of Queensland Art Museum Collection, Brisbane.

Selected solo and group exhibitions include Versus Rodin: Bodies across space and Time, Art Gallery of South Australia, Adelaide (2017); Primavera at 25: Museum of Contemporary Art Australia Collection, Murrary Art Museum, Albury (2017); Yinchuan Biennale: For an Image, Faster than Light, Museum of Contemporary Art Yinchuan, China, (2016); You Promised Me Poems, Sullivan+Strumpf, Sydney (2016); Oneirophrenia, Centre for Contemporary Photography, Melbourne (2016); Talking to the Shadows, McClelland Sculpture Park & Gallery, Langwarrin (2015); Tim Silver, Ten Cubed Collection, Melbourne (2013); Seven Points (Part Two): Daniel Boyd, Newell Harry, Kate Mitchell, Tim Silver, Embassy of Australia, Washington DC (2013); We used to talk about love, Art Gallery of New South Wales, Sydney (2013); Parallel Collisions, 2012 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide; and I-lands, Kunsthallen brandts, Copenhagen, Denmark (2009).

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