Angela Tiatia
Narcissus
Sydney
22 Mar – 20 Apr 19
Selected Works
Dropdown IconInstallation Views

Angela Tiatia, Narcissus, 2019.

Installation view, Sullivan+Strumpf, Eora/Sydney.

Angela Tiatia, Narcissus, 2019.

Installation view, Sullivan+Strumpf, Eora/Sydney.

Angela Tiatia, Narcissus, 2019.

Installation view, Sullivan+Strumpf, Eora/Sydney.

Angela Tiatia, Narcissus, 2019.

Installation view, Sullivan+Strumpf, Eora/Sydney.

Angela Tiatia, Narcissus, 2019.

Installation view, Sullivan+Strumpf, Eora/Sydney.

Angela Tiatia, Narcissus, 2019.

Installation view, Sullivan+Strumpf, Eora/Sydney.

Angela Tiatia, Narcissus, 2019.

Installation view, Sullivan+Strumpf, Eora/Sydney.

Exhibition Text

Narcissus, Angela Tiatia’s first major solo exhibition in Australia. Comprising a new high definition video and photographic stills, Narcissus is a contemporary reimagining of the classical Greek myth, exploring contempo- rary visual culture’s worship of the self. Filmed in super slow-motion at an indoor swimming pool using a crane mounted camera, the film arcs from contemplation to catastrophe, opening on a close-up of Narcissus as he gazes longingly at his image reflected in a pool of deep black water. Referencing myriad sources from the classical to the contemporary, including historical literature and images from the inter- net, Narcissus takes as its starting point, the painting of the same name by Michelangelo Merisi da Caravaggio, now in the Galleria Nazi- onale d’Arte Anticam, Rome. Tiatia filmed the work with Director of Photography Benjamin Shirley, production company Finch Compa- ny and producer Cath Anderson, working with 80 professional actors, performance artists and crew, the largest production of her career.

Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.

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