Within these new works, I have referenced smaller scale idols and figurative sculptures found in domestic, architectural and various other contexts. I have studied South Asian sculptural vernacular including figures adorning the exteriors of temples, contemporary iterations of sexual symbols as well as depictions of monkeys, birds and fish. I’ve explored a broad range of themes related to idolatry, queer politics and aesthetics, the polychrome and manual forms of production.
The series includes a large collection three-legged figures – all produced in 2020. This third-leg motif has been recurrent in my practice. I’m interested in this symbol as it is simultaneously sexual, structural, architectural and animal. When I look at the collection of works together in my studio – they seem sentient. They are at times an army, a series of warriors, mythical beings or deity-like forms.
Each sculpture is hand built and glazed in my studio in Rydalmere in Western Sydney. I’ve attempted to incorporate a more a painterly language in these ceramic surfaces. I’ve included coarse brush marks, drips, transparent layers and expressive lashes of glaze. This is reflective of my renewed interest in painting as a core methodology and language in my studio practice.