Ramesh Mario Nithiyendran
Slaying Monsters
Kuandu National Museum of Fine Arts, Taiwan
30 Sep – 11 Dec 16
Selected Works
Dropdown IconInstallation Views

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Ramesh Mario Nithiyendran, Slaying Monsters, Kuandu Biennale, 2016.
Installation view, Kuandu National Museum of Fine Arts, Taiwan.

Exhibition Text
by Glenn Barkley

Asialink Arts in collaboration with Australian curator Glenn Barkley and artist Ramesh Mario Nithiyendran participated in the 2016 Kuandu Biennale this September in Taipei. This biennale adopts an original format where 10 curators, from 10 countries each curate an artist/collective into the biennale. This structure provides an Australian curator and artist the opportunity to work in an international biennale context with other professionals from across the region and includes a 1-day forum where curators and artists are invited to present on various panels.

Glenn and Ramesh’s involvement in the Kuandu Biennale provided a new voice for ceramics, confirming Australia as a producer of significant and innovative ceramics, unbridled by traditions and technical limitations.

Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.

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