by A Group exhibition curated by Kate Britton
The Waves borrows its title from Virginia Woolf’s novel of the same name, in which many voices unite in a single narrative. This exhibition likewise unites many voices to tell a single yet multivalent story. This story is about what happens in a white cube occupied by women and non-binary voices, and why we should be listening.
The Waves brings a diverse group of artists into a conversation about feminism, bodies, access to and occupation of space, collective action and gestures of intersectionality. In making their work, each of these artists chip away at the walls and barriers that are thrown up by patriarchal systems, biological determinism, trans- exclusionary feminism, colonialism – the list goes on.
The feminist project has been characterised by waves, a lapping at the shores of heteronormative sanctity. The works presented from these artists engage with different aspects of this project: political, social and labour-based action; reclamation and celebration of diverse bodies and identities; intersectionality; and an emergent collective anger - #metoo.
In bringing together work from the Sullivan+Strumpf stockroom with invited artists, The Waves establishes new lines of sight between the work of diverse women and non-binary people.
Exhibiting artists: Karen Black, Katy B. Plummer, Ohni Blu, Polly Borland, Barbara Cleveland, Christine Dean, eX de Medici, Leila El Rayes, Joanna Lamb, Lindy Lee, Judy Millar, Sanné Mestrom, Dawn Ng, Thea Perkins, Angela Tiatia, Hiromi Tango, Jemima Wyman, Justine Youssef