Lara Merrett
Ramesh Mario Nithiyendran
Gregory Hodge
Julia Gutman
Melbourne Art Fair 2024
Melbourne Convention and Exhibition Centre
22 Feb – 25 Feb 24
INTRODUCTION

Sullivan+Strumpf is delighted to present new works by four artists at Melbourne Art Fair 2024, Julia Gutman, Gregory Hodge, Lara Merrett and Ramesh Mario Nithiyendran.

Drawing on ideas of visual connection, this cohesive presentation of vibrant, textured works weaves unique and personal stories into a common fabric.

Responding to the Fair's thematic of 'ketherba/together', Sullivan+Strumpf has considered our curation to address our relationships with people and place, with these artists also challenge and reimagine the boundaries of their respective mediums.

Curated into considered zones to encourage individual contemplation, the interrelated stories of each artist connect and contrast shared histories seamlessly through their unique approaches to composition, materiality and form.

LARA MERRETT
Monument 2024

ink and acrylic on cloth and linen
168 × 107 cm

Green island sleepover 2024

ink and acrylic on cloth and linen
168 × 107 cm

Sailor's warning 2024

ink and acrylic on cloth and linen
168 × 107 cm

Pink sky in the morning 2024

ink and acrylic on cloth and linen
168 × 107 cm

Sailor's delight 2024

ink and acrylic on cloth and linen
70 × 60 cm

Tomorrow 2024

ink and acrylic on cloth and linen
70 × 60 cm

Born 1971, Naarm/Melbourne, Australia
Lives and works in Gadigal/Sydney, Australia

After the devastating 2019-20 bushfires in NSW, Lara Merrett cultivated deep connections with her local community and industry peers, which continue to strengthen and thrive in her colour field abstract paintings that respond to space and place.

Merrett’s practice interrogates the relationship between painting and its surrounding architecture with site-specific work that invites us to enter and navigate its folds. Merrett’s larger scale commissioned work has involved public participation through touch, movement, cuttings, and its relationship to the built environment. Her simultaneous agility, amplification and softening of the rigid confines of canvas and gallery both complicate and honor painterly traditions.

RAMESH MARIO NITHIYENDRAN
Fertility Figure 4 2024

ceramic, glaze
160 × 66 × 38 cm

Black Spiky Head 2024

ceramic, glaze
83 × 64 × 53 cm

Double Headed Figure with Gold Faces 2024

ceramic, glaze
88 × 56 × 44 cm

Self Portrait with Terracottas 2024

oil stick and pencil on paper
83 × 63 cm framed
76 × 56 cm unframed

Self-Portrait with Mask 2024

oil stick and pencil on paper
83 × 63 cm framed
76 × 56 cm unframed

Plate #20 2024

glaze on bisc plate
27 cm diameter

Plate #19 2024

glaze on bisc plate
27 cm diameter

Plate #12 2024

glaze on bisc plate
27 cm diameter

Plate #22 2024

glaze on bisc plate
27 cm diameter

Plate #21 2024

glaze on bisc plate
27 cm diameter

Plate #15 2024

glaze on bisc plate
27 cm diameter

Plate #9 2024

glaze on bisc plate
27 cm diameter

Plate #19 2024

glaze on bisc plate
27 cm diameter

Plate #20 2024

glaze on bisc plate
27 cm diameter

Plate #14 2024

glaze on bisc plate
27 cm diameter

Born 1988, Colombo Sri-Lanka
Lives and works in Gadigal/Sydney, Australia

Outrageous and audacious, Ramesh Mario Nithiyendran’s ceramic sculptures look to ancient histories of iconoclasm, extracting and reframing our relationship with religious iconographies and artefacts.

Nithiyendran is interested in global histories and languages of figurative representation and their intersections with issues relating to the politics of idolatry, the monument, gender, race and religiosity. He has specific interests in South Asian forms and imagery. While he is best known for his inventive and somewhat unorthodox approach to ceramic media, his material vernacular is broad as evidenced by the works presented at Melbourne Art Fair 2024.

GREGORY HODGE
Bury 2024

acrylic on canvas
50 × 40 cm

Emblem 2024

acrylic on canvas
70 × 50 cm

Birch Study 2024

acrylic on canvas
70 × 50 cm

Clare II 2024

acrylic on canvas
100 × 70 cm

Fontainebleau 2024

acrylic on canvas
100 × 70 cm

Night Flowers 2024

acrylic on canvas
92 × 60 cm

Collage 2024

acrylic on canvas
92 × 60 cm

Blue Tilt 2024

acrylic on canvas
92 × 60 cm

Glove 2024

acrylic on canvas
92 x 60 cm

Henry 2024

acrylic on canvas
70 × 50 cm

Born 1982 Gadigal/Sydney, Australia
Lives and works in Paris, France

Gregory Hodge disguises art historical vignettes within his frame of personal references, influenced by his lived experiences and surrounding environment of Paris. Layering rich and complex compositions, his paintings mimic the warp and weft of 17th century tapestries displayed in the Louvre.

Hodge's paintings oscillate between abstraction and figuration, layering personal source material with painterly gestural marks and obscured motifs of foliage, interiors and architecture. With an ongoing interest in how to render different material surfaces in paint, Hodge’s recent works eschew a slick, pop finish for a deliberately handmade quality designed to resemble the warp and weft of tapestries and other woven materials.

JULIA GUTMAN
they are the ones who live their lives not as lives but as examples of life 2024

180 x 60 cm (figure)
157 x 88 x 60 cm (mirror)
installation dimensions variable

Maybe there is a beast, maybe it's only us 2024

200 × 80 cm (on canvas)

We see as we are 2024

found textiles and embroidery
51 x 41 cm
54 x 44 cm (framed)

Born 1993
Lives and works on Gadigal Land/Sydney, Australia

Following her momentus win of the 2023 Archibald Prize and her most ambitious tableau to date in Primavera (2022) at The Museum of Contemporary Art, Julia Gutman showcases intricate textile works that blur the line between the personal and historical, capturing intimate memories with her loved ones.

The work is made almost entirely out of clothing worn and donated by the artist’s friends and family; their personal traces imbued in each garment become a significant thematic constituent. Ambitious by nature and rigorous in process, the artist diligently stitches together the materials by machine and by hand, simultaneously rendering detailed figures amid a chorus of various fabrics and textures.

MORE AT THE BOOTH
Hurry Now 2024

oil on linen
110 × 80 cm

Make Believe 2024

oil on linen
110 × 80 cm

Sweetheart 2023

oil on board
61 × 46 cm

Dreamt 2023

oil on linen
61 × 46 cm

Honestly Thought It'd Be Like This 2023

oil on linen
61 × 46 cm

Regression Painting (Pumping…) 2023

finger painted acrylic on mirror

95.5 x 110cm
98 x 112 cm (framed)

Boundary Conditions 2027

single-channel HD video,
19:12 min, 9:7
Edition of 3 plus 2 artist's proofs

untitled (heartbeats SC 2022

copper infused Forton MG
16 × 23 × 13 cm

postcard #3 2023

cast patinated bronze
unique
30.5 × 19.5 × 18 cm

untitled (heartbeats GU) 2022

copper infused Forton MG
14 × 19 × 13 cm

Remanent I (Wall Piece) 2023

glazed ceramic
51 × 32 × 11 cm

Remanent V (Wall piece) 2023

glazed ceramic
62 × 43 × 21 cm

Muse vase with roses 2023

oil on jute
107.5 × 82 cm

Chrysanthemums on jute 2023

oil on jute
66 × 51 cm

Ou Ka 桜花 謳歌 (Flower Song) 2023

woven textile, mixed media and mirrored perspex
36 × 36 × 14 cm (perspex case)

Gum Copse II 2024

oil on linen
56.5 × 46 cm

Union and Joy 2024

oil on linen
46 × 41 cm

Marriage Dance (Love and Passion) 2024

50 × 70 cm
gouche on paper

La Bergère de France and Her Significant Feelings,, 2023

gouche on paper
50 × 70 cm (unframed)

Gumnut Sphere CCGFMS 2022

Corymbia calophylla gumnuts, seeds, rubber, monster clay, metal pins, on metal shelf
Corymbia calophylla gumnuts full medium sphere
Sphere size 15 × 15 × 15 cm

Eucalyptus erythrocorys Operculums Sphere 2023

Eucalyptus erythrocorys operculums and seeds, rubber, monster clay and metal
NO. 26 - 10 cm diameter

Corymbia calophylla Bud Sphere 2023

Corymbia calophylla buds and seeds, rubber, monster clay and metal
no. 27 - 10 cm diameter

Untitled Figure i 2023

bronze
17 × 7 × 3 cm

Untitled Figure iii 2023

bronze
20 × 7.5 × 7.5 cm

Untitled Figure ii 2023

bronze
17.5 × 9 × 6 cm

Untitled Figure iv 2023

bronze
17 × 6.5 × 3 cm

Sentinels 2018

bronze
45 × 20 × 20 cm
edition of 5 plus 2 AP (AP 2/2)

Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.

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