Sullivan+Strumpf is delighted to present new works by four artists at Melbourne Art Fair 2024, Julia Gutman, Gregory Hodge, Lara Merrett and Ramesh Mario Nithiyendran.
Drawing on ideas of visual connection, this cohesive presentation of vibrant, textured works weaves unique and personal stories into a common fabric.
Responding to the Fair's thematic of 'ketherba/together', Sullivan+Strumpf has considered our curation to address our relationships with people and place, with these artists also challenge and reimagine the boundaries of their respective mediums.
Curated into considered zones to encourage individual contemplation, the interrelated stories of each artist connect and contrast shared histories seamlessly through their unique approaches to composition, materiality and form.
ink and acrylic on cloth and linen
168 × 107 cm
ink and acrylic on cloth and linen
168 × 107 cm
ink and acrylic on cloth and linen
168 × 107 cm
ink and acrylic on cloth and linen
168 × 107 cm
ink and acrylic on cloth and linen
70 × 60 cm
ink and acrylic on cloth and linen
70 × 60 cm
Born 1971, Naarm/Melbourne, Australia
Lives and works in Gadigal/Sydney, Australia
After the devastating 2019-20 bushfires in NSW, Lara Merrett cultivated deep connections with her local community and industry peers, which continue to strengthen and thrive in her colour field abstract paintings that respond to space and place.
Merrett’s practice interrogates the relationship between painting and its surrounding architecture with site-specific work that invites us to enter and navigate its folds. Merrett’s larger scale commissioned work has involved public participation through touch, movement, cuttings, and its relationship to the built environment. Her simultaneous agility, amplification and softening of the rigid confines of canvas and gallery both complicate and honor painterly traditions.
ceramic, glaze
160 × 66 × 38 cm
ceramic, glaze
83 × 64 × 53 cm
ceramic, glaze
88 × 56 × 44 cm
oil stick and pencil on paper
83 × 63 cm framed
76 × 56 cm unframed
oil stick and pencil on paper
83 × 63 cm framed
76 × 56 cm unframed
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
glaze on bisc plate
27 cm diameter
Born 1988, Colombo Sri-Lanka
Lives and works in Gadigal/Sydney, Australia
Outrageous and audacious, Ramesh Mario Nithiyendran’s ceramic sculptures look to ancient histories of iconoclasm, extracting and reframing our relationship with religious iconographies and artefacts.
Nithiyendran is interested in global histories and languages of figurative representation and their intersections with issues relating to the politics of idolatry, the monument, gender, race and religiosity. He has specific interests in South Asian forms and imagery. While he is best known for his inventive and somewhat unorthodox approach to ceramic media, his material vernacular is broad as evidenced by the works presented at Melbourne Art Fair 2024.
acrylic on canvas
50 × 40 cm
acrylic on canvas
70 × 50 cm
acrylic on canvas
70 × 50 cm
acrylic on canvas
100 × 70 cm
acrylic on canvas
100 × 70 cm
acrylic on canvas
92 × 60 cm
acrylic on canvas
92 × 60 cm
acrylic on canvas
92 × 60 cm
acrylic on canvas
92 x 60 cm
acrylic on canvas
70 × 50 cm
Born 1982 Gadigal/Sydney, Australia
Lives and works in Paris, France
Gregory Hodge disguises art historical vignettes within his frame of personal references, influenced by his lived experiences and surrounding environment of Paris. Layering rich and complex compositions, his paintings mimic the warp and weft of 17th century tapestries displayed in the Louvre.
Hodge's paintings oscillate between abstraction and figuration, layering personal source material with painterly gestural marks and obscured motifs of foliage, interiors and architecture. With an ongoing interest in how to render different material surfaces in paint, Hodge’s recent works eschew a slick, pop finish for a deliberately handmade quality designed to resemble the warp and weft of tapestries and other woven materials.
180 x 60 cm (figure)
157 x 88 x 60 cm (mirror)
installation dimensions variable
200 × 80 cm (on canvas)
found textiles and embroidery
51 x 41 cm
54 x 44 cm (framed)
Born 1993
Lives and works on Gadigal Land/Sydney, Australia
Following her momentus win of the 2023 Archibald Prize and her most ambitious tableau to date in Primavera (2022) at The Museum of Contemporary Art, Julia Gutman showcases intricate textile works that blur the line between the personal and historical, capturing intimate memories with her loved ones.
The work is made almost entirely out of clothing worn and donated by the artist’s friends and family; their personal traces imbued in each garment become a significant thematic constituent. Ambitious by nature and rigorous in process, the artist diligently stitches together the materials by machine and by hand, simultaneously rendering detailed figures amid a chorus of various fabrics and textures.
oil on linen
110 × 80 cm
oil on linen
110 × 80 cm
oil on board
61 × 46 cm
oil on linen
61 × 46 cm
oil on linen
61 × 46 cm
finger painted acrylic on mirror
95.5 x 110cm
98 x 112 cm (framed)
single-channel HD video,
19:12 min, 9:7
Edition of 3 plus 2 artist's proofs
copper infused Forton MG
16 × 23 × 13 cm
cast patinated bronze
unique
30.5 × 19.5 × 18 cm
copper infused Forton MG
14 × 19 × 13 cm
glazed ceramic
51 × 32 × 11 cm
glazed ceramic
62 × 43 × 21 cm
oil on jute
107.5 × 82 cm
oil on jute
66 × 51 cm
woven textile, mixed media and mirrored perspex
36 × 36 × 14 cm (perspex case)
oil on linen
56.5 × 46 cm
oil on linen
46 × 41 cm
50 × 70 cm
gouche on paper
gouche on paper
50 × 70 cm (unframed)
Corymbia calophylla gumnuts, seeds, rubber, monster clay, metal pins, on metal shelf
Corymbia calophylla gumnuts full medium sphere
Sphere size 15 × 15 × 15 cm
Eucalyptus erythrocorys operculums and seeds, rubber, monster clay and metal
NO. 26 - 10 cm diameter
Corymbia calophylla buds and seeds, rubber, monster clay and metal
no. 27 - 10 cm diameter
bronze
17 × 7 × 3 cm
bronze
20 × 7.5 × 7.5 cm
bronze
17.5 × 9 × 6 cm
bronze
17 × 6.5 × 3 cm
bronze
45 × 20 × 20 cm
edition of 5 plus 2 AP (AP 2/2)
Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.