Glenn Barkley
What do the birds say?
Sydney
1 Apr – 20 Apr 20
Selected Works
Dropdown IconSelected Works
Pox pot with fanta prunings 2020

earthenware
21 × 14 × 7.5 cm
Photography by Aaron Anderson

pox pot with prunings and mount 2020

earthenware
36 × 15 × 15 cm
Photography by Simon Hewson

Narrow vase with prunings 2020

earthenware
60 × 35 × 35 cm
Photography by Aaron Anderson

Poseidon with tall neck and fancy handles 2020

earthenware
42.5 × 25.5 × 8.5 cm
Photography by Aaron Anderson

Queen Victoria bottle with handles and branch 2020

earthenware
26 × 21 × 5 cm
Photography by Aaron Anderson

themimingisallofi 2020

earthenware
20.5 cm diameter
Photography by Aaron Anderson

Large bellied vase with prunings and faces 2020

earthenware
59 × 37 × 43 cm
Photography by Aaron Anderson

Flat flask with prunings 2020

earthenware
34.5 × 19.5 × 12 cm
Photography by Aaron Anderson

Exhibition Text
What do the birds say?

Over the last six months Glenn Barkley has been producing a series of earthenware pots and objects that respond to catastrophic events across Australia. Twenty-six works tell the story of natural disaster from the artist’s perspective.

The title of the exhibition, What do the birds say?, is a quote from Kurt Vonnegut’s ‘Slaughterhouse-Five’, in which the narrator apologises to his editor for producing a short manuscript. Like birds chirping, the book serves as an unpretentious message demonstrating that life still exists in a devastated world. Vonnegut’s inquisitive bird returns in the very last line of the novel, leaving us with the unanswered question of what life is like in the aftermath of tragedy — life’s most devastating enemy.

Eschewing traditional techniques and forms, Barkley has crafted his own distinctive style that infuses literary quotes and references with embellishments that tell a story. Twigs and prunings join a variety of glazes to create eccentric vessels that respond to the artist’s surroundings. This combination of interests draws upon the artist’s love of reading and literature, gardening and nature, to create messages in Barkley’s bottles.

"I have been making this body of work for the last tumultuous six months. I rode out the bush fires over Christmas from the relative safety of Berry, looking from afar while my hometown burnt and the places where I grew up were razed to the ground. How can you make art in the midst of all this? How can you make it in the midst of a plague?

I hear the sound of tearing pages and the roar of burning paper

All the crimes and acquisition turn to air and ashen vapor.

(Dave Rawlings, I Hear them All)

Anyone seeking to find any sort of direct reference to the environmental crisis will find it lacking here - I fire the kiln, I use resource rich materials. It seems as if all those systems of making need to be dismantled and rethought. The trade off to make within the environment in which you live needs to be real and optimistic.

So tweet with me and widely spread

Your olive wings; embrace my head

Fly with me ‘til we are dead

And one with the birds

(Bonnie Prince Billy, One with the Birds)

My brother told me of walking on the beach at Cudmirrah, a place that looms large in my dreams and imagination and telling me of all the dead birds on the beach – all the birds, every kind. I thought about that as I made these works, as I tried to do something beautiful and contemplative in the face of all that sadness."

- Glenn Barkley

Eschewing traditional techniques and forms, Barkley has crafted his own distinctive style that infuses literary quotes and references with embellishments that tell a story. Twigs and prunings join a variety of glazes to create eccentric vessels that respond to the artist’s surroundings. This combination of interests draws upon the artist’s love of reading and literature, gardening and nature, to create messages in Barkley’s bottles.

Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.

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